With visual texts, reading is not always a matter of 'getting' the author's meaning; instead, reading is about constructing a sense out of the mass cultural artifacts, tools, signs, and symbols at hand... Thus, teachers as facilitators of visual-text experiences design their learning spaces and activities in order to highlight multiple literacies of the children in our classrooms Five years ago I was introduced to Frank Serafini's work at the Wisconsin Reading Research Symposium through his latest publication, Reading the Visual. This text was exactly what I needed at the time to jumpstart the design of my multiliteracies unit (now Digital Writes) as it helped me to think about how reading the visual in picturebooks could be an entry into author's craft for digital writing. Since then, my students have explored texts using his framework alongside a similarly focused framework provided by Dawnene Hassett. Recently, I found myself wondering how I might adapt this workshop experience to attend to relevant instructional practices beyond teaching author's craft. Why it took me this long to make the connection...no idea. But, I am so excited about the workshop redesign I cannot wait to put it into action!
PBS recently hosted A Chat with Marley Dias, creator of #1000BlackGirlBooks. Marley's efforts have led to the creation of 1000BlackGirlBooks Resource Guide which speaks directly to educators who are looking for text recommendations to broaden their classroom libraries and use of mentor texts. While Marley's work addresses the need for black female protagonists at the center of children and YA literature, a number of additional resources were shared to broaden the scope of representation and culturally relevant reading material. I've used some of these resources in the past, but two new resources are helping me to rethink how I frame these discussions in future courses. For the past few years, my students at UW have been mostly white, upper-middle class, monolingual females interested in teaching in urban settings. All of our student teaching experiences take place in culturally and linguistically diverse schools, so they are very much motivated to develop understandings and practices to support culturally responsive teachers. There is a very high likelihood that while my future students may share similar demographic backgrounds, they may be less motivated to embrace these perspectives and have less opportunities to teach in diverse contexts. I plan to be more strategic and explicit in addressing the need to broaden representation, themes, and perspectives--within all classroom contexts. Using 'Mirrors & Windows' to frame this process seems like an encouraging route to take. In addition, I am interested in the following analysis activity for selecting anti-bias children's books. While these ideas are integrated throughout our discussions, I imagine that completing this type of analysis would help to connect the ideas and their importance to practice (much as I've seen happen with our picturebook analysis that addresses multimodal meaning-making). Additional resources to draw from include:
Finally, I was most interested in attending this webinar because I've decided my Reading Resolution this year will focus on cultural representations in children's texts focusing on the range of middle elementary readers (with selections on both ends). Here is the list I've compiled so far:
1. Aminas Voice 2. Drita My Homegirl 3. Love 4. Looking Like Me 5. Last Stop on Market Street 6. Cinderelly 7. Amazing Grace 8. My Name is Maria Isabel 9. Claudette Colvin 10. Ninth Ward 11. Another Brooklyn 12. The Skin I'm In Books provide a venue for making sense of ourselves, our emotions, our experiences, our identities-- even from the youngest years. Sometimes simplicity can go far in helping to introduce complex concepts, feelings, and events to our students. I'll never forget when I first realized the power of this approach when teaching a Holocaust unit to my 7th graders. We read Rose Blanche, a heartbreaking story which approaches the topic in a similar plot to that of The Boy in Striped Pajamas. As one of our opening activities, this story helped to personalize the historical background we had explored and to frame the challenging conversations that would lead us into our longer-term reading of the memoir, The Cage. It's not surprising that children's books would help students to explore social situations, interpersonal relationships, overarching human themes. However, lately I've been struck by the range of issues being addressed in picturebooks and the opportunities they provide for children to imagine themselves and their worlds in much more nuanced and flexible ways that mirror larger social trends. Here I'm keeping ongoing note of some of the recent texts I've been sharing with T. After reading Kelly Gallagher's Readicide a number of years ago, I've been hesitant about using post-it notes in the reading classroom. In his book, he describes the tedious interruptions to flow as disruptive to the reading experience. Of course he is speaking in extremes, but his words have stuck with me to the point where I've almost discarded sticky notes altogether...almost.
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